Jury Report
10 Minute Challenge
Moment of appreciation
It’s impossible not to be impressed by the sheer creativity, passion, and hard work that all of you have poured into the 10-minute challenge. For us, it has been an absolute honour to witness your unique perspectives and the vibrant diversity that defines our community. We are deeply grateful for the stories you’ve shared with us.
Creating your first film is an act of immense courage. It’s about translating your innermost thoughts into a visual language that others can understand and feel, taking risks, and trusting that your voice is one worth hearing. Each frame and line of dialogue is a testament to your commitment to telling stories that matter. Whether your film was a quiet exploration of identity or a loud, unapologetic statement, you’ve made something tangible that will linger in the minds of those who’ve seen it—and that is truly remarkable.
We, as the jury, have been thrilled to experience such a diverse array of stories—from those steeped in poetic depth to films that re-evaluate our understanding of intimacy, identity, and human connection, to those that made us laugh, feel good, and inspired us to take action. Each film has sparked reflection, reminding us of the power of cinema to challenge, uplift, and bring about change.
Evaluation process
Our journey as judges has been one of discovery and reflection. Evaluating these films was both a joy and a challenge. We approached each entry with the intention of understanding the filmmaker’s vision—what story they wanted to tell, and how they chose to tell it. We considered the emotional impact, the creativity in storytelling, and the technical execution. We delved into the layers of meaning, looked for the subtleties in performance, and examined how the visual and auditory elements were woven together. Each film was a world of its own, and our task was to navigate these worlds, finding the gems that resonated the most.
In many ways, this process mirrored the art of filmmaking itself—full of discussions, differing perspectives, and moments of revelation. Yet, we often found ourselves on the same page, and after some deliberation we reached consensus on the Winner and Emerging Talent. Now, it’s time for the most exciting part— announcing the names of the prize winners…
Emerging Talent
Sometimes, a filmmaker leaves so much space that you, as a viewer, feel a generous invitation to dive into your own interpretation, creating different meanings for each of us. The winner of this year’s Emerging Talent Award is a film that truly stands out for its creativity and daring approach.
This award goes to … the filmmakers duo GROSS&DOOMED for their film Two Birds with One Stone.
Through a unique blend of mediums, the filmmakers create a radically queer world that feels both slightly surreal and deeply intimate. It clearly demonstrates the breadth of the filmmaker’s skills. The film raises more questions than it answers, inviting us to revisit and rethink its themes long after the credits roll. And speaking of the credits, we couldn’t help but smile at the whimsical sight of the main characters, transformed into mermaids, their fish tails playfully swaying.
The originality on display hints at the incredible potential of this director duo, who are clearly at the beginning of a vibrant and daring creative journey with their film Two Birds with One Stone. With their fearless approach to filmmaking, we are excited to see how their future work continues to break new ground in beautifully queer and innovative ways.
Two Birds with One Stone — GROSS&DOOMED (10 mins)
Best Film
With its stunning visual simplicity, this film draws us into a world where personal narratives and desires unfold with striking tenderness. An experimental approach to form enhances its thematic depth, allowing subtle gestures to carry immense emotional weight. Each frame feels intentionally crafted, carefully restrained, and undeniably effective, creating an atmosphere of quiet contemplation and beauty. As voices guide you through an exploration of an inner world, you’re swept along by a stream of various shots that become almost intoxicating at the right moments. Once the film starts, it’s like a train taking off—you can only get off when it reaches the final stop.
And the winner is… CripPleasurePower by Ari Sinn!
CripPleasurePower is more than a film; it’s a manifesto. It gives voice to underrepresented stories, inviting us into a world where the pleasure and intimacy of disabled individuals are centred and celebrated, rather than marginalised. By confronting the dominant narrative around nondisabled, heteronormative intimacy, this film broadens our understanding beyond the concept of pleasure, touching on identity, sexuality, and the diverse experiences of disabled individuals. Ari Sinn has crafted a work that is not only visually and conceptually compelling but also deeply necessary in today’s cultural and political landscape.
CripPleasurePower — Ari Sinn (10 mins)
The jury
HEDDA PETERS
(they/them)
Jury
Hedda Peters (b. 1999) is a multidisciplinary creative with a background in cultural analysis, emphasising queer and decolonial theory. Their work spans graphic and production design, film and cultural programming, research, and editing. Since 2023, Hedda is a film programmer at Leiden Shorts.
With a focus on experimental film and documentary, they are intrigued by narratives that are radically queer, activist, and explore marginalised perspectives. They are drawn to films as a tool for resistance and works that leverage film as a medium to (re-)imagine new worlds.
Hedda has worked as a producer for the International Documentary Film Festival Amsterdam (IDFA) and the International Film Festival Rotterdam (IFFR). Additionally, they are an editor and cultural programmer at ISSUE, an Amsterdam-based queer and decolonial publication featuring a public cultural programme and a queer library.
Involvement with QFFU
Since I’m interested in radically queer films that challenge and subvert cisheteronormative conventions in (Western) cinema, I am particularly drawn to QFFU’s programming. I’m extremely excited to be part of this year’s jury of the 10 Minute Challenge, which is an amazing opportunity for emerging filmmakers to develop and showcase their work. Can’t wait to be inspired by the 2024 programme very soon!
Film picks
- Heaven Reaches Down to Earth (2020), dir. Tebogo Malebogo
- Climax (2018), dir. Gaspar Noé
- Lady Bird (2017), dir. Greta Gerwig
MAI NGUYEN
(they/them)
JURY
Mai Nguyen is a programmer and community coordinator. They are currently a programmer at Asian Pride and have contributed to CinemAsia Film Festival 2024. Nguyen is intrigued by storytelling as a movement of empowerment, expressed not only through film but also through the body and community building. This is also evident in their work with Asian Raisins, and KØLT. They seek to create spaces of connection within displacement, emphasizing the importance of societal impact and community engagement in their programming.
Film picks
- Nausicaä of the valley of the wind by Miyazaki Hayao
- Má Sài Gòn by Lê Khoa and
- Midnight Rising by Aileen Ye
PIM PRINS
(he/him)
Jury
As a producer at production company Blokmakers, I am always consciously focused on representation and inclusion in our productions. Representation of the queer community is simply essential to me, both in the stories we tell and in the diversity of the people in our industry. I strive to push unique, urgent stories from queer individuals and, in doing so, make a difference.
Film picks
- Call Me By Your Name
- Interstellar
- Heartstopper